Grandson Luke |
I've finally finished Luke's portrait. I believe the original looks a bit better than my photo and it's reproduction, but the learning process is slow. These portraits have all been in acrylic, which is a good medium with a wide range of colours and good mixing and spreading potential, but one has to work quite fast to blend shading as the paints dry so quickly. I intend to return to my first oil picture tomorrow. This process is much slower, but the first layers have dried now so I can continue to build it up and add elements. I must say, oils are a very satisfying medium, but completely different from the water-based acrylics, and one has to take time to complete the picture.
I am continuing to work 'half time' - mostly just mornings. So far it has been quiet - just a couple of telecon meetings each week. I believe their office in London remains closed, so they're all working from home too - I don't want to travel into London yet, as I am one of the "high risk" people, so I am definitely trying to avoid any contact with people outside the family. I take the dogs for a walk each day, but it is generally round the fields, and if I see anyone coming the other way then one or the other of us moves off the path until we have passed each other.
For today's rant, I need look no further than the actress Florence Pugh having to apologise for cultural appropriation after admitting wearing cornrows as a teenager. It used to be that imitation was considered a sincere form of complementing and flattery, but no longer. For a woman to style her hair in cornrows is hardly a way of insulting someone of another race - it is a statement of admiration for how they do things. If this carries on, we should condemn Meghan Markle for wearing her hair straight and setting it in a bun or ponytail - that surely is appropriating British culture, the very thing she has turned her back on. Add to this the sudden pressure to remove stained glass windows and white statues of Jesus and Mary from our churches, and there will soon be nothing left of Western culture. In Africa and many other equatorial countries, Christ and the Madonna are portrayed as black, but why not? No one claims these figures are more realistic than white figures, for surely we know not what the true face of Christ looked like.