Saturday 16 May 2020

Our art studio is commissioned

Tories
send the builders back to work
because you do not give a damn
for the safety of our English salt–
the normal working man
There is much debate at present about children returning to schools. Having no children of school age, we are in the position of disinterested observers. Certainly Mary-Anne does not want her two returning yet, and it seems many parents think similarly. Many parents are happy to spend so much time with their children, especially those forced to work from home for the first time; they are building new bonds they never knew they could. One of the agency people I speak with regularly had a new baby four months ago, and has welcomed home working with open arms. Usually, he would be commuting to work from early morning to late evening. Now he has spent solid, precious time with his baby, time that can never be repeated for they grow so quickly. He is in no hurry to return.

This art business takes a lot of thought
For the children, some are learning new skills they would never learn at school which is confined to formal lessons, many with a left-wing social bias, such as neglecting English history. If we don't teach our own history, certainly no one else in the world will except to carp and condemn us. Our nation has a history we may be proud of, and teachers should sing its virtues from the rafters. Parents can teach subjects the children actually enjoy, including practical and life skills, rather than rote learning for exams. Ann and I having succeeded so well with Edwin, and enjoyed the experience, we're all for it.

Today, I tried the new art studio Ann has designed. It is quiet and isolated, with the huge advantage that we don't have to clear the table each day so we can eat. I can make a mess to my heart's content, and it doesn't even matter if paint gets on the table of the old chair, or even into the carpet. It is really homely; I've moved an old radio in to listen to Radio Three music while I work.

My first commission
Today, I started my first "commission": Lucy asked me to paint our granddaughter. It is only my fourth picture, but I can see some improvement at last. However, I acknowledge that I have way to go to master the more subtle techniques of colour, shading and blending. As for painting from life - I think that will always be beyond me. One of the guests on Grayson Perry's show specialised in painting animals. She always uses photos because animals won't stay still long enough for her. I reckon what is good enough for a professional is certainly good enough for me - I can't imagine humans (especially children) staying still long enough either.



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